Tuesday, October 26, 2010

Master Musicians of Bukkake | Voice of the Seven Thunders | Barn Owl - Corsica Studios, London, 25 October 2010

There was an unknown name to me on the bill. I’d not heard of Barn Owl before. A quick internet search took me to the website of some twee indie twiddlers. Who in the name of Hades, I wondered, booked this lot?

The answer lay in poor search engine skills. Not all my fault as there are six acts called Barn Owl on Myspace. Fortunately, somebody had booked the psychedelic drone two-piece. The two guitarists blast out cathedral sized drones. They explore different textures within their lengthy pieces. Sunn O))))) style heavy drones but also more psychedelic widdling and slow-motion Morricone style guitar picking.

Tonight was my first experience of Voice of the Seven Thunders. I’d been a fan of Voice of the Seven Woods from which this band morphed. But for some reason I’d never bothered to investigate them. It’s easy to hear the similarities. The psych-blues meanderings and the acid-fried tinged-rock are direct descendents. A couple of tracks lean a little too close leaden Clapton-esque blues, but it’s when guitar lines start questing they really engage.

The venue fills with smoke. Bells ring and the Master Musicians of Bukkake file towards the stage through the audience. They are dressed as Bedouins. Black cowls wrapped around their bodies. Their faces shrouded in blue kufiuya, their eyes hidden by sunglasses. I can smell incense.

A low drone starts up. The singer who is wearing an Inca like face mask throat yodels as he weaves intricate patterns in the air with his hands. Lasers cut through the smoke refracting off mirror balls on the ceiling and illuminated the smokes evolving patterns. Drone, electronics, psychedelic and Eastern influences are fused and cauterised. This is rock as occult ritual.

The guitarists switch to sitar and the violin adding Eastern flavours which are enhanced when they are joined by Khyam Allami who adds oud. He starts slowly repeating simple patterns over the low, metallic, rumbling of huge gong. The oud lines become more complex and duels with the violin. Then everyone falls in as the rhythms become heavier and a heady, murky, and epic. They close with a quieter, more meditative number before the Master Musicians then file in procession from the stage.
Preferred drink: Water

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